Skip to main content

goodwins theory

Vance Joy - Riptide








The song fits into the genres of indie folk and indie pop, which explains why the music video draws its influences from indie sub-culture, evident in the fashions and locations featured in the video. Indie sub-culture is heavily influenced by iconography which revolves around the natural world and vintage culture, and a lot of music videos that fit into the indie genre focus themselves around natural spaces and areas.
The indie fashions which are featured in the music video are also reinforced in motive by the overall look of the video, which has a somewhat vintage feel. This is due to the effects used on the video which make it appear also aged due to warmer colour balance used on the clips.

Video also relates to the idea of the male gaze, which was proposed by Laura Mulvey. The male gaze is a concept of second-wave feminism in which the camera (and subsequently, the viewer) are put into the perspective of a heterosexual man, thus allowing for the objectification and the sexualisation of women, as is evident in the Riptide video as one of the actresses fits the stereotypical view of beauty, in the sense that she is tall, slim, tanned and blonde. Additionally, as the lyric "I'm afraid of pretty girls" plays, the actress is depicted undressing.

By artistically depicting the lyrics word for word, the Riptide video is given an interesting twist, as the lyrics are presented in a creative way. The artistic nature of the Riptide video fits in well with the target audience, as the indie-subculture is also characterised as having a strong interest in art, literature and expressive albeit calming and relaxed music. One of the most interesting depictions in the video revolves around the lyrics "And I've got a lump in my throat 'cause you've gone and sang the words wrong". These lines are part of the chorus and thus feature in the song a number of different parts. With each depiction, a woman is shown singing, with subtitles appearing at the bottom of the screen, mimicking how the lyrics would appear on a screen during a karaoke-style video. However, the words do not match with the lyrics of the song, and with every depiction of these lyrics the on-screen words get more and more obscure and further away from the words actually sung. In addition to this, the woman lip-synching does not say the right lyrics, and her makeup gets messier with each depiction.

The Riptide video does not utilise the potential of star imagery, as the artist is not featured in the video. This is uncommon in most indie music videos, as using the artist's image is used as an exploitative method through which the artist becomes more well-known.

In conclusion, the Riptide video uses a range of different techniques in order to develop and capture interest, including exploiting the male gaze at times and creating imagery which correlates with the lyrics of the song.
Image result for vance joy riptideImage result for vance joy riptide
Image result for vance joy riptide
Image result for vance joy riptide


Another example is from the lyrics of ‘running down to the riptide’ while the visuals show a midshot of someone running and then a shot of a actual riptide in the sea. This close up shot of a left hand holding a microphone is another example of the relationship as while this shot occurs the lyrics are ‘left hand man’.
















This is an example of the link as the lyrics are ‘come unstuck’ while the visuals are a midshot of a girl coming ‘unstuck’ from being tied to a tree. 














Vance Joy - Riptide

Video also relates to the idea of the male gaze, which was proposed by Laura Mulvey. The male gaze is a concept of second-wave feminism in which the camera (and subsequently, the viewer) are put into the perspective of a heterosexual man, thus allowing for the objectification and the sexualisation of women, as is evident in the Riptide video as one of the actresses fits the stereotypical view of beauty, in the sense that she is tall, slim, tanned and blonde. Additionally, as the lyric "I'm afraid of pretty girls" plays, the actress is depicted undressing.

By artistically depicting the lyrics word for word, the Riptide video is given an interesting twist, as the lyrics are presented in a creative way. The artistic nature of the Riptide video fits in well with the target audience, as the indie-subculture is also characterised as having a strong interest in art, literature and expressive albeit calming and relaxed music. One of the most interesting depictions in the video revolves around the lyrics "And I've got a lump in my throat 'cause you've gone and sang the words wrong". These lines are part of the chorus and thus feature in the song a number of different parts. With each depiction, a woman is shown singing, with subtitles appearing at the bottom of the screen, mimicking how the lyrics would appear on a screen during a karaoke-style video. However, the words do not match with the lyrics of the song, and with every depiction of these lyrics the on-screen words get more and more obscure and further away from the words actually sung. In addition to this, the woman lip-synching does not say the right lyrics, and her makeup gets messier with each depiction.

The Riptide video does not utilise the potential of star imagery, as the artist is not featured in the video. This is uncommon in most indie music videos, as using the artist's image is used as an exploitative method through which the artist becomes more well-known.

In conclusion, the Riptide video uses a range of different techniques in order to develop and capture interest, including exploiting the male gaze at times and creating imagery which correlates with the lyrics of the song.










Comments

Popular posts from this blog

TASK 4 - Make a Thought Shower/ Mind Map of at least 10 Magazine conventions - eg, things we would expect to see in a magazine, such as a cover image etc. TASK 5 - MAJOR TASK - Complete the attached reading 'Reading Between the Lines: An Analysis of Women’s Magazines' and answer the analysis questions below. Analysis Questions 1.       When was the first womens’ magazine formed and what was it called? The first British women’s magazine founded in 1693, The Ladies’ Mercury. 2.       Does the author enjoy the photographs in Vogue or not? Find a quote to support your position. No the author is not entirely keen on the fact that certain magazines can have effects on woman, as they are portraying woman to be a certain body type and have a flawless appearance. This may have negative affects on woman as they try aspire to be like photo shopped models which is not reality.  " The downright worship of materialism i...
Media Task Representation of woman in magazines —   What or who is being represented?         A female is being represented, she is a well known American female rapper known as Nicki Minaj and is well known in the music industry.      Nicki is a representation for women and how women are perceived by society, this is shown when Nicki Minaj's costume is a revealing dress that is unzipped and is showing cleavage. This magazine speaks about unzipping, this semantic field is used to create a coincidence of related words to intrigue readers especially men. —   How are they represented -, as strong, sexualised etc? Using what codes – body language, camera angle, costume etc?         T he body language used  is to show Nicki Minajs confidence and independence as she is standing straight up with her arms by her side. This may link to the ...

Compare and Contrast the representation of the third world in the following media forms

Band Aid- Do they Know its Christmas (1984) " Do They Know It's Christmas? " is a song written in 1984 by  Bob Geldof  and  Midge Ure  in reaction to television reports of the  1983–85 famine in Ethiopia . It was first recorded in a single day on 25 November 1984 by  Band Aid , a  supergroup  put together by Geldof and Ure and consisting mainly of the biggest British and Irish musical acts at the time. The single was released in the United Kingdom on 3 December 1984  and aided by considerable publicity it entered the  UK Singles Chart  at number one and stayed there for five weeks, becoming the  Christmas number one  of 1984 Oxfam The iconic plastic bucket is a symbol of Oxfam’s practical approach and expertise in emergency water provision. Its tightly fitting lid keeps dirt, germs and insects out, and the tap lets you get water out without having to dip hands or bowls into it.It is made from durable plastic that...